Prince of Wales Visitors Centre by RMA Architects5 q. H6 W; j* e2 h
0 m) g6 ~8 [( {5 s/ R
& H+ u( _' s+ C9 \- p# h* M, L4 ZPhotographer Edmund Sumner has sent us these images of a shimmering steel visitors centre at a Mumbai museum.
- y7 B' n$ m3 T! H) X( S; D9 { o( j; `5 l( C+ f
[/url][url=http://www.rmaarchitects.com/]3 E$ v- ~2 p4 R, t, U% v
RMA Architects designed the elliptical building at the entrance to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (formerly the Prince of Wales Museum), where historical Indian artefacts and artworks are exhibited.
5 e5 ]) a/ ?6 n' z2 u. m* E* J; t, y
9 d, a; ?: s7 w9 y5 P/ QThin steel columns support a curving roof that overhangs the exterior walls of the centre to shelter a surrounding terrace.) L; U; t$ q: ^0 D7 H) i
# v s* Q) A5 B8 z# p6 f% A6 B
Existing trees grow through holes in this roof, which also shelters a separate circular baggage kiosk.
* C0 ~; D' G9 A5 c; V% w4 l
0 b4 z }0 W& r. A# TThe remaining portion of the visitors centre contains a 200-seat auditorium, a ticket-office, a shop, a cafe and toilets.$ q! p) z% d7 W1 M8 T. H
* W: _8 d; J# x4 m/ K2 lEdmund Sumner has photographed a number of buildings in Mumbai – see our earlier stories about a corporate office block beside a slum and a wood-clad temple.: ], ]6 E! I6 X" H
& k `- h5 }* T* B( G/ s& x. TThe following text is from RMA Architects:
6 C( j" g- k: U( ~' m) i" t$ C. wA visitor’s center located at the entrance of the Prince of Wales Museum, a Grade I heritage structure in Mumbai.# ]1 W+ M* g7 H" Z
The contemporary structure expands upon the footprint of a previously existing multipurpose hall, and is a part of an expansion plan for this prestigious urban landmark.
9 Z0 W/ y- @( B4 i) L
- `. H+ ?4 f& K. D3 IThe center fulfills various programmatic functions, ranging from the integration of baggage collection and storage, to ticketing and security, as well as a museum shop, two hundred seat auditorium, and rest rooms.1 K' Y5 j% Q, N0 J* s# K, s: ]
7 w2 f1 M3 j6 `2 j0 ^
A lightweight, stainless steel clad elliptical roof creates a covered verandah for circulation, integrating disparate visitor programs into a consolidated and modest, yet contemporary form.$ G7 T* E! o+ V8 k0 k8 Z4 k
Glass and metal surfaces exist as a visual counterpoint to stout basalt stone of local heritage structures. Reflective material planes create a paradoxical visual poetry in which archaic forms of the adjacent museum are recast and distorted in a new perspective.. d3 |4 ^1 Y U1 [ W% P3 O# y6 n
; d3 ~( D" I8 ]# L q
The pre-defined footprint is organically punctured by existing trees that project through openings in the roof, yielding localized deviations in the otherwise low-key scale spaces.8 b: b. H1 n) u% u7 L1 f- f5 C5 Y
[Search:DCION
) `" y+ v# r5 |* D! i9 I* E q4 g. W4 ]% D2 k, S3 c6 L
Integration of natural textures with modern means and materials further expands the defining narrative of the center, that of a culturally meaningful intervention within a monumental historic context.
! Z7 L0 J7 X& F) j0 v) b, ^2 U' C4 F: d' Q' J! _% w8 x
g0 R! e, T. s: u; p, Q f# V# G! D, G
|
, S+ `, L! H3 D; ?# l
$ Y+ f% Z7 k C. \ |
金属的外壳!怕不怕吸热!{:soso_e122:}