Prince of Wales Visitors Centre by RMA Architects& A9 b4 e, C9 y8 K. p0 c
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* {3 K o+ j, g% H1 E2 k( cPhotographer Edmund Sumner has sent us these images of a shimmering steel visitors centre at a Mumbai museum.
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RMA Architects designed the elliptical building at the entrance to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (formerly the Prince of Wales Museum), where historical Indian artefacts and artworks are exhibited.
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Thin steel columns support a curving roof that overhangs the exterior walls of the centre to shelter a surrounding terrace.4 K. Q, J$ S$ M) [ D
5 K5 s) `0 I6 N' d, |) E, UExisting trees grow through holes in this roof, which also shelters a separate circular baggage kiosk.. L. l. @; ?, j# c+ D8 l" ^
9 I1 D7 D. t3 cThe remaining portion of the visitors centre contains a 200-seat auditorium, a ticket-office, a shop, a cafe and toilets.
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! `1 `' e$ p Z( SEdmund Sumner has photographed a number of buildings in Mumbai – see our earlier stories about a corporate office block beside a slum and a wood-clad temple.
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The following text is from RMA Architects:
4 n8 N, d/ G9 r& sA visitor’s center located at the entrance of the Prince of Wales Museum, a Grade I heritage structure in Mumbai.
( r+ Z3 Y7 |- D, Y- Z7 kThe contemporary structure expands upon the footprint of a previously existing multipurpose hall, and is a part of an expansion plan for this prestigious urban landmark.# l8 W' |' K# J, t E v% z
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The center fulfills various programmatic functions, ranging from the integration of baggage collection and storage, to ticketing and security, as well as a museum shop, two hundred seat auditorium, and rest rooms.. w2 E; W3 M3 g# u
. V/ c9 m4 ?1 ?; }, f0 y+ J/ w& e: rA lightweight, stainless steel clad elliptical roof creates a covered verandah for circulation, integrating disparate visitor programs into a consolidated and modest, yet contemporary form.% ]9 B F$ b( i8 W/ i5 W: Z+ ^
Glass and metal surfaces exist as a visual counterpoint to stout basalt stone of local heritage structures. Reflective material planes create a paradoxical visual poetry in which archaic forms of the adjacent museum are recast and distorted in a new perspective. S# m, @/ r3 ?9 f! K. J, _" }7 S
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The pre-defined footprint is organically punctured by existing trees that project through openings in the roof, yielding localized deviations in the otherwise low-key scale spaces.
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$ v4 o! c; T/ ~Integration of natural textures with modern means and materials further expands the defining narrative of the center, that of a culturally meaningful intervention within a monumental historic context.. ~' o% m7 j7 N8 `* d, R- i4 a. H
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金属的外壳!怕不怕吸热!{:soso_e122:}