Prince of Wales Visitors Centre by RMA Architects
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Photographer Edmund Sumner has sent us these images of a shimmering steel visitors centre at a Mumbai museum.
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RMA Architects designed the elliptical building at the entrance to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (formerly the Prince of Wales Museum), where historical Indian artefacts and artworks are exhibited.# U$ {$ d7 T! \' T3 E
2 _4 z2 u* J- U& n' x9 r: E! T- ^3 DThin steel columns support a curving roof that overhangs the exterior walls of the centre to shelter a surrounding terrace./ W8 |: k# i" Q) j6 [. G* Y1 `- j
. {' e, c7 Z& u8 _Existing trees grow through holes in this roof, which also shelters a separate circular baggage kiosk.$ f, ?( b0 }' R
& q) y' N$ A; |The remaining portion of the visitors centre contains a 200-seat auditorium, a ticket-office, a shop, a cafe and toilets.
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5 v$ M/ d S: M, JEdmund Sumner has photographed a number of buildings in Mumbai – see our earlier stories about a corporate office block beside a slum and a wood-clad temple.
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& T* j8 B& o9 x. G' ?2 A, cThe following text is from RMA Architects:
4 p6 H3 _) L6 Z. v' l3 V: u+ wA visitor’s center located at the entrance of the Prince of Wales Museum, a Grade I heritage structure in Mumbai.
& V6 ?& l7 b* K8 dThe contemporary structure expands upon the footprint of a previously existing multipurpose hall, and is a part of an expansion plan for this prestigious urban landmark.; v: ?! k% @8 O
6 |7 _, M7 s( g, R) ^The center fulfills various programmatic functions, ranging from the integration of baggage collection and storage, to ticketing and security, as well as a museum shop, two hundred seat auditorium, and rest rooms.3 \8 g0 j& Y& ~( K5 N! H
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A lightweight, stainless steel clad elliptical roof creates a covered verandah for circulation, integrating disparate visitor programs into a consolidated and modest, yet contemporary form.
) }- v7 b2 n3 T% Z' F4 KGlass and metal surfaces exist as a visual counterpoint to stout basalt stone of local heritage structures. Reflective material planes create a paradoxical visual poetry in which archaic forms of the adjacent museum are recast and distorted in a new perspective.! n: T4 h8 W( x+ Y& g
& @" |2 K7 Z" n3 rThe pre-defined footprint is organically punctured by existing trees that project through openings in the roof, yielding localized deviations in the otherwise low-key scale spaces.
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Integration of natural textures with modern means and materials further expands the defining narrative of the center, that of a culturally meaningful intervention within a monumental historic context.) F1 S, g+ J' y9 _9 ?3 Y8 E
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金属的外壳!怕不怕吸热!{:soso_e122:}