Prince of Wales Visitors Centre by RMA Architects) \& [/ u8 U* C. e5 I6 b
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Photographer Edmund Sumner has sent us these images of a shimmering steel visitors centre at a Mumbai museum.
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[/url][url=http://www.rmaarchitects.com/]
9 {& D; n* X4 d+ D! h# mRMA Architects designed the elliptical building at the entrance to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (formerly the Prince of Wales Museum), where historical Indian artefacts and artworks are exhibited.% @) ~. {& u& R( y4 Z! t
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Thin steel columns support a curving roof that overhangs the exterior walls of the centre to shelter a surrounding terrace.
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+ L' _" U8 ^' P6 N( B* t" WExisting trees grow through holes in this roof, which also shelters a separate circular baggage kiosk.
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The remaining portion of the visitors centre contains a 200-seat auditorium, a ticket-office, a shop, a cafe and toilets.
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: [4 c4 ]3 i" a" iEdmund Sumner has photographed a number of buildings in Mumbai – see our earlier stories about a corporate office block beside a slum and a wood-clad temple.- U" y, ~ D# c- y q4 T
0 Q) ?. N4 Q/ R$ o. I# ] i2 UThe following text is from RMA Architects:/ z& L& }% Y& x" h5 a1 i
A visitor’s center located at the entrance of the Prince of Wales Museum, a Grade I heritage structure in Mumbai.
8 y: z3 }& V" w8 SThe contemporary structure expands upon the footprint of a previously existing multipurpose hall, and is a part of an expansion plan for this prestigious urban landmark.
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' e c: ?* u9 [2 \3 {# ?, N7 cThe center fulfills various programmatic functions, ranging from the integration of baggage collection and storage, to ticketing and security, as well as a museum shop, two hundred seat auditorium, and rest rooms.& D- x( U1 m( z; I; u
+ x4 V1 _ y+ ~/ RA lightweight, stainless steel clad elliptical roof creates a covered verandah for circulation, integrating disparate visitor programs into a consolidated and modest, yet contemporary form.; G5 w# [6 V7 E- q
Glass and metal surfaces exist as a visual counterpoint to stout basalt stone of local heritage structures. Reflective material planes create a paradoxical visual poetry in which archaic forms of the adjacent museum are recast and distorted in a new perspective. q- [1 d& i/ G8 k( W9 a, }) j
" K& i/ g7 B& B/ r( N. o4 dThe pre-defined footprint is organically punctured by existing trees that project through openings in the roof, yielding localized deviations in the otherwise low-key scale spaces." }- C3 h, d& x1 ]! I6 O' m+ W
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Integration of natural textures with modern means and materials further expands the defining narrative of the center, that of a culturally meaningful intervention within a monumental historic context.
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金属的外壳!怕不怕吸热!{:soso_e122:}