印度孟买的威尔士亲王博物馆游客中心

2011-11-1/ 图像资料下载/ 国际资讯/ 只看大图 阅读模式
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Prince of Wales Visitors Centre by RMA Architects
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Photographer Edmund Sumner has sent us these images of a shimmering steel visitors centre at a Mumbai museum.
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RMA Architects
designed the elliptical building at the entrance to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (formerly the Prince of Wales Museum), where historical Indian artefacts and artworks are exhibited.
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! N& B. L( y$ D+ cThin steel columns support a curving roof that overhangs the exterior walls of the centre to shelter a surrounding terrace.
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Existing trees grow through holes in this roof, which also shelters a separate circular baggage kiosk.. \/ c8 b5 y9 ^

5 |& F# a" E4 O" gThe remaining portion of the visitors centre contains a 200-seat auditorium, a ticket-office, a shop, a cafe and toilets.
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# D3 r9 x( G9 h. {Edmund Sumner has photographed a number of buildings in Mumbai – see our earlier stories about a corporate office block beside a slum and a wood-clad temple.3 K( ?4 B5 M# l' B8 J

  U$ ]& p7 w- N1 @" U- Y9 Z% K  vThe following text is from RMA Architects:
1 s' I$ p) C7 n" D( `: SA visitor’s center located at the entrance of the Prince of Wales Museum, a Grade I heritage structure in Mumbai.0 v0 {- M1 d  _$ ~" Q+ {
The contemporary structure expands upon the footprint of a previously existing multipurpose hall, and is a part of an expansion plan for this prestigious urban landmark.
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The center fulfills various programmatic functions, ranging from the integration of baggage collection and storage, to ticketing and security, as well as a museum shop, two hundred seat auditorium, and rest rooms./ W' n$ B# J+ g1 f+ d
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A lightweight, stainless steel clad elliptical roof creates a covered verandah for circulation, integrating disparate visitor programs into a consolidated and modest, yet contemporary form.
3 k$ U4 X  {1 B5 }3 t1 B# I4 fGlass and metal surfaces exist as a visual counterpoint to stout basalt stone of local heritage structures. Reflective material planes create a paradoxical visual poetry in which archaic forms of the adjacent museum are recast and distorted in a new perspective.
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5 v5 d& E+ N# c) j0 B. mThe pre-defined footprint is organically punctured by existing trees that project through openings in the roof, yielding localized deviations in the otherwise low-key scale spaces.7 n2 i; t- W% G! V/ _* u
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Integration of natural textures with modern means and materials further expands the defining narrative of the center, that of a culturally meaningful intervention within a monumental historic context.* w! `8 Q7 {# S& \8 {7 F+ F" m# D

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发表评论4

  • ilove7034 2011-11-1 09:22:19

    是金属吗?夏天会不会太热?% H/ ]: U0 s; W# P3 j, X
    要是里面也有图就更好了

印度孟买的威尔士亲王博物馆游客中心
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