Prince of Wales Visitors Centre by RMA Architects
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- r6 O) a' X/ M# d9 NPhotographer Edmund Sumner has sent us these images of a shimmering steel visitors centre at a Mumbai museum.
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/ N9 G6 h5 O. S; _[/url][url=http://www.rmaarchitects.com/] P& _# A8 K& r* c* e% m
RMA Architects designed the elliptical building at the entrance to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (formerly the Prince of Wales Museum), where historical Indian artefacts and artworks are exhibited.: A' z. G/ \$ L9 x( G
$ U2 m3 a3 ?6 YThin steel columns support a curving roof that overhangs the exterior walls of the centre to shelter a surrounding terrace.+ X8 c/ k7 x j: a# T+ E
% |- O3 x) A/ Y$ f/ [: a QExisting trees grow through holes in this roof, which also shelters a separate circular baggage kiosk.
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The remaining portion of the visitors centre contains a 200-seat auditorium, a ticket-office, a shop, a cafe and toilets.
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0 A6 k( r# r8 H4 @1 ?3 g: M8 e dEdmund Sumner has photographed a number of buildings in Mumbai – see our earlier stories about a corporate office block beside a slum and a wood-clad temple.3 M X D5 D- h5 O8 Z
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The following text is from RMA Architects:
' j, M4 Q5 I. }. ]1 I, WA visitor’s center located at the entrance of the Prince of Wales Museum, a Grade I heritage structure in Mumbai.
. d, w$ M5 a& U) eThe contemporary structure expands upon the footprint of a previously existing multipurpose hall, and is a part of an expansion plan for this prestigious urban landmark.4 C, k @9 L& H. ~
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The center fulfills various programmatic functions, ranging from the integration of baggage collection and storage, to ticketing and security, as well as a museum shop, two hundred seat auditorium, and rest rooms.+ @! I+ h/ F5 {/ Y E' B3 F* G
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A lightweight, stainless steel clad elliptical roof creates a covered verandah for circulation, integrating disparate visitor programs into a consolidated and modest, yet contemporary form.
" k! h+ W$ J- b q& B3 k& JGlass and metal surfaces exist as a visual counterpoint to stout basalt stone of local heritage structures. Reflective material planes create a paradoxical visual poetry in which archaic forms of the adjacent museum are recast and distorted in a new perspective.
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" M' I# e+ ^3 T& N" XThe pre-defined footprint is organically punctured by existing trees that project through openings in the roof, yielding localized deviations in the otherwise low-key scale spaces.
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Integration of natural textures with modern means and materials further expands the defining narrative of the center, that of a culturally meaningful intervention within a monumental historic context.- O* i6 W. C1 d: K" a0 R
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金属的外壳!怕不怕吸热!{:soso_e122:}