Prince of Wales Visitors Centre by RMA Architects- j# g0 K& n4 Y+ Y( U5 C
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0 D/ z: b; H2 F9 KPhotographer Edmund Sumner has sent us these images of a shimmering steel visitors centre at a Mumbai museum.
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RMA Architects designed the elliptical building at the entrance to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (formerly the Prince of Wales Museum), where historical Indian artefacts and artworks are exhibited.
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Thin steel columns support a curving roof that overhangs the exterior walls of the centre to shelter a surrounding terrace./ x: M9 }% J- G8 x, n0 \
- H& `7 ~/ t. G7 J" R/ S2 @Existing trees grow through holes in this roof, which also shelters a separate circular baggage kiosk.
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9 b: W, ? P. |2 c( X1 PThe remaining portion of the visitors centre contains a 200-seat auditorium, a ticket-office, a shop, a cafe and toilets.
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Edmund Sumner has photographed a number of buildings in Mumbai – see our earlier stories about a corporate office block beside a slum and a wood-clad temple./ ^0 L" \- K7 I
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The following text is from RMA Architects:
. ]' S+ \3 {. |% S0 uA visitor’s center located at the entrance of the Prince of Wales Museum, a Grade I heritage structure in Mumbai.9 a- L3 M# \! c( z
The contemporary structure expands upon the footprint of a previously existing multipurpose hall, and is a part of an expansion plan for this prestigious urban landmark.
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2 w; H/ N5 u! t1 A+ }5 p5 \The center fulfills various programmatic functions, ranging from the integration of baggage collection and storage, to ticketing and security, as well as a museum shop, two hundred seat auditorium, and rest rooms.
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0 P- m3 }) S* W4 n( DA lightweight, stainless steel clad elliptical roof creates a covered verandah for circulation, integrating disparate visitor programs into a consolidated and modest, yet contemporary form.4 ]3 Q9 w' S* ? V9 {4 F
Glass and metal surfaces exist as a visual counterpoint to stout basalt stone of local heritage structures. Reflective material planes create a paradoxical visual poetry in which archaic forms of the adjacent museum are recast and distorted in a new perspective.
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The pre-defined footprint is organically punctured by existing trees that project through openings in the roof, yielding localized deviations in the otherwise low-key scale spaces.3 e& d. c7 Z0 s+ h
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Integration of natural textures with modern means and materials further expands the defining narrative of the center, that of a culturally meaningful intervention within a monumental historic context.$ k5 A7 o7 v& n: m. S
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金属的外壳!怕不怕吸热!{:soso_e122:}