Prince of Wales Visitors Centre by RMA Architects
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& O; d Y0 V" v+ B0 C& `6 H/ o3 `Photographer Edmund Sumner has sent us these images of a shimmering steel visitors centre at a Mumbai museum.( z% h; d6 h! d' K. r$ l9 W
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RMA Architects designed the elliptical building at the entrance to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (formerly the Prince of Wales Museum), where historical Indian artefacts and artworks are exhibited.
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Thin steel columns support a curving roof that overhangs the exterior walls of the centre to shelter a surrounding terrace.
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Existing trees grow through holes in this roof, which also shelters a separate circular baggage kiosk.
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The remaining portion of the visitors centre contains a 200-seat auditorium, a ticket-office, a shop, a cafe and toilets.
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Edmund Sumner has photographed a number of buildings in Mumbai – see our earlier stories about a corporate office block beside a slum and a wood-clad temple.
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The following text is from RMA Architects:: F; O9 X6 k$ }
A visitor’s center located at the entrance of the Prince of Wales Museum, a Grade I heritage structure in Mumbai.
6 s i2 { W' B/ w0 z% HThe contemporary structure expands upon the footprint of a previously existing multipurpose hall, and is a part of an expansion plan for this prestigious urban landmark.& l8 z6 e3 E+ q4 d, I
; }# U$ r) g) P4 g% J8 J& JThe center fulfills various programmatic functions, ranging from the integration of baggage collection and storage, to ticketing and security, as well as a museum shop, two hundred seat auditorium, and rest rooms.
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" Q9 @" M% E; R. M* QA lightweight, stainless steel clad elliptical roof creates a covered verandah for circulation, integrating disparate visitor programs into a consolidated and modest, yet contemporary form.$ ?1 t. t3 ?5 g6 n" r" X! Y3 L
Glass and metal surfaces exist as a visual counterpoint to stout basalt stone of local heritage structures. Reflective material planes create a paradoxical visual poetry in which archaic forms of the adjacent museum are recast and distorted in a new perspective.
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The pre-defined footprint is organically punctured by existing trees that project through openings in the roof, yielding localized deviations in the otherwise low-key scale spaces.! y! Y% ]! {, r$ O
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7 a, ~+ @# I, l, SIntegration of natural textures with modern means and materials further expands the defining narrative of the center, that of a culturally meaningful intervention within a monumental historic context.% _1 C/ x4 Z/ t: v1 f8 M
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金属的外壳!怕不怕吸热!{:soso_e122:}