Prince of Wales Visitors Centre by RMA Architects2 g) L: y* _( j) A, x. r f9 C
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! l3 ^7 O2 U8 }: F* C% f& oPhotographer Edmund Sumner has sent us these images of a shimmering steel visitors centre at a Mumbai museum.
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[/url][url=http://www.rmaarchitects.com/]
4 @* n c& \# v9 n ~" ARMA Architects designed the elliptical building at the entrance to the Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (formerly the Prince of Wales Museum), where historical Indian artefacts and artworks are exhibited.% k# ~! o8 J2 `- p- N# s
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Thin steel columns support a curving roof that overhangs the exterior walls of the centre to shelter a surrounding terrace.
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Existing trees grow through holes in this roof, which also shelters a separate circular baggage kiosk./ N! K% U \, T& ? R- T6 V
' U8 G/ }% j1 ^% l0 jThe remaining portion of the visitors centre contains a 200-seat auditorium, a ticket-office, a shop, a cafe and toilets.
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Edmund Sumner has photographed a number of buildings in Mumbai – see our earlier stories about a corporate office block beside a slum and a wood-clad temple.( |9 D4 x t8 \7 S8 W; S
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The following text is from RMA Architects:
) {, G; b- [ u* `A visitor’s center located at the entrance of the Prince of Wales Museum, a Grade I heritage structure in Mumbai.
' t% o8 M5 W J$ p! h! lThe contemporary structure expands upon the footprint of a previously existing multipurpose hall, and is a part of an expansion plan for this prestigious urban landmark.) p9 [" F- V$ G6 ?
- P# ?8 L, z6 B2 n+ K5 y# T O( \The center fulfills various programmatic functions, ranging from the integration of baggage collection and storage, to ticketing and security, as well as a museum shop, two hundred seat auditorium, and rest rooms., w4 X5 p: w0 e: e; K" b& S/ ?
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A lightweight, stainless steel clad elliptical roof creates a covered verandah for circulation, integrating disparate visitor programs into a consolidated and modest, yet contemporary form.
2 v- m5 j' n3 b- U# mGlass and metal surfaces exist as a visual counterpoint to stout basalt stone of local heritage structures. Reflective material planes create a paradoxical visual poetry in which archaic forms of the adjacent museum are recast and distorted in a new perspective.' `4 r! U! L3 v1 e0 g: Y! k
e; t: o1 {6 f% hThe pre-defined footprint is organically punctured by existing trees that project through openings in the roof, yielding localized deviations in the otherwise low-key scale spaces.* N1 L7 N$ `# p" y3 g5 _
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Integration of natural textures with modern means and materials further expands the defining narrative of the center, that of a culturally meaningful intervention within a monumental historic context.
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金属的外壳!怕不怕吸热!{:soso_e122:}