几何共社丨INTERLEAVING 平行交织 / 感知时与光的交错-室内设计-拓者设计吧

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本帖最后由几何共社于 2022-8-11 11:26 编辑

都说建筑是凝固的音符，但建筑与音乐又有极大的不同，音乐在今天看来是最抽象的艺术表现形式，轻而易举就能完成个人内在生命的表达，而建筑与室内却是客观的存在。

It is said that architecture is a solidified note, but architecture and music are very different. Music is the most abstract form of artistic expression today, and it can easily express the inner life of an individual. However, architecture and interior are objective.

这是一所有着南北极佳视野的170平米平层空间。设计师注重材料选择、纹理组合、色彩搭配，将简约别致的现代风格和光洁质感融合在一起。空间层次丰富、干净利落，不拘泥于任何形式。以无形为有形，透过简洁的线条以及几何模数排列关系，独特和优雅，在空间视效上给人一种回归自然的本真。

This is a 170 square meter flat space with excellent views from north to south. The designer pays attention to material selection, texture combination and color matching, and integrates the simple and chic modern style with the smooth texture. The spatial levels are rich and clean, not rigidly bound to any form, but invisible as tangible. Through simple lines and geometric modular arrangement, it is unique and elegant, giving people a return to nature in terms of spatial visual effect.

对于空间本身，我们一直有不同见解，更像是一个开放性的话题，没有固定答案。本案我们希望通过更多的可能性去探索居所空间的本质，在人与空间，人与物，人与人，物与物之间，一直存在着内在紧密关联。

As for space itself, we have always had different opinions. It is more like an open topic without fixed answers. In this case, we hope to explore the essence of residential space through more possibilities. There has always been an internal close relationship between people and space, people and things, people and people, and things and things.

透过室内建筑的方式，体验空间、光影、材质、细节，以人为本的思考，探索现代住宅的生活方式，回归真实的需求。提升心理仪式性的转换，让住宅不仅是满足物理属性需求，更是达到体验与精神层面的感受，看到的不仅是设计，而是对于生活的深刻体会。

Through the way of indoor architecture, experience the space, light and shadow, materials and details, and explore the life style of modern residence with people-oriented thinking, so as to return to the real needs. Promote the transformation of psychological ritual, so that the residence can not only meet the needs of physical attributes, but also achieve the experience and spiritual level. What we see is not only the design, but also the profound experience of life.

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以无形为有形 以无限为有限

Take the intangible as the tangible Take the infinite as the Limited

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通过巧妙地手法划分空间平面。设计师将比例、尺度、材质穿插，美妙的让光束从墙面延伸至顶面，并形成平行斜线，有序的散射开来，从而让狭长较窄的空间得到意念中的无限想象。

By ingeniously dividing the spatial plane relationship, the designer collides the proportion, scale and material to make the light beam extend from the wall surface to the top surface, and form parallel oblique lines to scatter in an orderly manner, so that the narrow and narrow space can get infinite imagination in the mind.

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一大片透露着夸张闪电纹理的超大白色岩板与墙面温润的质感涂料相接，通过金属腰线划分了空间比例视效，犹如一份装扮精美的礼盒。餐厅墙面则用了一整片黑色超大岩板与之形成白昼与黑夜的时间交错关系。

A large white rock plate with exaggerated lightning texture is connected with the warm texture coating on the wall, and the space proportion is divided by the metal color waist line, like a beautifully packed gift box. The wall of the dining room is made of a large black rock plate, which forms a time staggered relationship between day and night.

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被定义化的我们，就像站在有序排列的平行线上。虽然本质相同，却又如此靠近，拥有属于自己的生活，亲而有间，疏而有密，是空间让我们的时空彼此重迭而产生了时与光的交错。

We are defined as standing on an orderly parallel line. Although they are the same in nature, they are so close to each other. They have their own lives. They are close and close. It is space that makes our time and space overlap with each other, resulting in the intersection of time and light.

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卧室以充满感知性的极简手法，理性的线条，沉稳的调性，在情绪性的光影催化下，勾勒出层次丰富且人文性的空间环境。

The bedroom is full of perceptual minimalism, rational lines, calm tone, and emotional light and shadow catalysis to outline the overall design with rich levels and humanistic space.

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结语 / The Upshot

本案注重人文精神的演绎。追求自然、纯粹、质感的设计，讲究空间和谐、比例、材质表现，氛围营造。以严谨的人体工学、组织化的落地理念，坚持把对的事情做到更好，创造舒适的居住空间。

This case focuses on the interpretation of the humanistic spirit. Pursue natural, pure and texture design, pay attention to spatial harmony, proportion, material performance and atmosphere creation. With the rigorous ergonomics and organizational landing concept, we insist on doing the right thing better and creating a comfortable living space.