本帖最后由 magpie 于 2012-10-21 17:42 编辑 / I% e- w8 T2 Y# e* W4 b & T. z6 d# ] u! `6 f 本书是“火星课堂”系列教材中的一本,详细讲解了3ds Max、VRay、Photoshop软件在室内表 现中的应用。; c. v3 F/ }2 Q0 v6 J 全书共14章,第1~3章分别介绍了室内渲染基础知识、VRay室内渲染技术和Photoshop 后期处理技术;第4~14章分别安排了11个经典案例,这些案例均来自行业中的实际项目,包括书 房、中式大堂、厨房、卧室、走廊餐厅与西餐厅、宾馆走廊、酒店客房、会议室和美术馆等室内空 间的渲染表现技法。 随书附赠2张DVD多媒体教学光盘,视频内容包括书中所有案例的实现过程,素材内容包括书 中所有案例的场景文件和素材文件。 本书不仅适合3ds Max初中级读者阅读,还可以作为高等院校室内渲染、环艺设计、三维建筑设 计相关专业的教辅图书及相关教师的参考图书。5 O# D7 F/ z- n3 ` J 9 `* L$ [/ g+ t7 m4 ] 文件太大,使用迅雷下载。 $ ]8 v0 y2 b2 J, i0 H http://kuai.xunlei.com/d/OTPPJUDTLUVC 密码 banjiajia.com ; w7 f% S |# ^% r # r* ?! c2 F' B8 n# F% d1 C 6 K; x1 d3 t4 @. t2 R+ b3 z4 b2 d 6 `+ c; S$ }* d- V 第1 章 室内渲染导读..............................................................1 1.1 色彩构成在室内表现中的地位...................................................2 1.1.1 色彩构成的含义.............................................................2 1.1.2 色彩基础...................................................................2 1.1.3 色彩对比与搭配.............................................................4# c. H$ b: s7 z- K! Z 1.1.4 色彩构成在室内表现中的应用.................................................5 1.2 平面构成与室内构图...........................................................6 1.2.1 点、线、面.................................................................6/ T8 Y5 d) t0 `7 i# l& K 1.2.2 室内构图实用原则...........................................................7; p" `3 [( i$ q2 z 1.3 室内渲染表现流程.............................................................8 1.3.1 粗调材质效果...............................................................9 1.3.2 渲染速度优化...............................................................9 1.3.3 灯光布置调节...............................................................9 1.3.4 细调材质效果...............................................................10; V7 \7 V$ V& x/ u, t 1.3.5 最终渲染输出...............................................................10 1.3.6 后期合成处理...............................................................11 第2 章 VRay 室内渲染技术.........................................................12 2.1 安装VRay.....................................................................13 2.2 VRay材质.....................................................................14 2.2.1 VRay 材质概要..............................................................14 2.2.2 玻璃材质...................................................................17 2.2.3 金属材质...................................................................202 n# A; R3 ^+ v 2.2.4 陶瓷材质...................................................................22 K5 w9 h. U6 X5 v+ {; u 2.3 VRay灯光系统.................................................................24 2.3.1 VRay 灯光概要..............................................................246 K' j( I& i" d6 w4 A 2.3.2 VRay 面光源................................................................24" [ Y. f A* ], c6 N) Z l 2.3.3 VRay 穹顶光源..............................................................266 M3 _$ j$ o" r4 K! g 2.3.4 VRay 球体光源..............................................................27 2.3.5 VRay 网格光源..............................................................27 2.3.6 VRay 阳光..................................................................28/ S1 `/ y( E/ n) E! ? 2.4 灯光缓存.....................................................................29 2.5 发光贴图.....................................................................32 2.6 全局光.......................................................................36 2.7 AO图与分色图的渲染输出.......................................................402 Z4 D5 S: A8 I2 U$ w# | 2.7.1 分色图的渲染输出...........................................................40 2.7.2 AO 图的渲染输出............................................................42 第3 章 Photoshop 后期处理技术....................................................45" r8 r* Y) h) H) F: f% f7 _. y 3.1 基础知识.....................................................................46; D! b* n9 N+ }% o6 @& P 3.1.1 选区.......................................................................46; {1 m5 e4 c$ D5 W3 d( t 3.1.2 图层及叠加方式.............................................................47 3.1.3 调色工具与调整层...........................................................48 3.1.4 AO 图与彩色通道图的使用....................................................51 3.1.5 四方连续贴图的制作.........................................................52 3.2 后期处理技法.................................................................53 3.2.1 白调空间的后期处理.........................................................53 3.2.2 起居室的后期处理...........................................................61, l1 l$ }2 o7 ^8 I5 b5 [ 3.2.3 异域客厅的后期处理.........................................................67 3.2.4 中式茶楼后期处理...........................................................74 第4 章 书房空间表现..............................................................81 4.1 初调材质.....................................................................82! i3 S. {: i0 r7 M1 D& U 4.2 优化测试参数和布置灯光.......................................................85 4.2.1 优化渲染参数...............................................................851 c' a0 B; k% {- ?& L, V4 ^, H/ G3 { 4.2.2 设置天光...................................................................86 4.2.3 布置人工光.................................................................89+ { c9 F3 l8 M5 T" v) b8 x/ }, f 4.3 输出光子图及细调材质.........................................................940 m- O. p1 N9 o8 d 4.3.1 输出光子图.................................................................94 4.3.2 细调材质...................................................................95 4.4 最终处理及输出成品图.........................................................99" {4 o% C1 L. o- ~4 H' D 4.4.1 最终处理...................................................................99 4.4.2 输出成品图................................................................100# i% N7 g9 h8 q4 O 4.5 后期处理....................................................................102 第5 章 中式大堂空间表现.........................................................107 5.1 初调材质....................................................................1084 ?. f& ~& \- V! Q. t( u, ^- ` 5.1.1 地砖材质..................................................................109 5.1.2 木梁材质..................................................................110 5.1.3 地毯材质..................................................................112 5.1.4 木纹材质..................................................................113 5.1.5 墙面材质..................................................................113 5.1.6 椅子材质..................................................................114/ }' N1 I2 ]/ e' ^) z4 W; k* z 5.2 布置灯光....................................................................115( q- _1 R& o( H L" q 5.2.1 布置天光..................................................................115 5.2.2 布置阳光..................................................................118- m3 o# B2 m( n% U 5.2.3 布置人工光................................................................119 5.3 细调材质....................................................................126 5.4 后期处理....................................................................129; v' p0 S7 F" Z 第6 章 简约厨房空间表现.........................................................137 6.1 初调材质....................................................................138 6.2 布置场景灯光................................................................1426 m( T6 [7 _% t, b 6.3 细调材质....................................................................1455 r+ b" W8 [" I. Y! \$ { 6.4 后期处理....................................................................150 第7 章 经典厨房空间表现.........................................................153 7.1 分析场景并创建摄影机........................................................154 7.2 调节材质....................................................................1567 z- F% B' Z! r3 ] 7.2.1 地面材质..................................................................156# P& r# a0 G+ O2 g1 L! X 7.2.2 橱柜材质..................................................................157 7.2.3 橱柜台面材质..............................................................158 7.2.4 墙砖材质..................................................................158 7.2.5 墙壁材质..................................................................160% x$ T& N( F- y* Z( o9 G2 i7 Y 7.2.6 顶梁材质..................................................................161 7.2.7 屋顶材质..................................................................1610 @+ I7 F) ]2 S v' n5 j% U1 _ 7.2.8 腰线材质..................................................................162 7.2.9 窗框材质..................................................................1635 R) k' u/ h1 E8 H8 K6 U/ q3 U' u 7.2.10 踢脚板材质...............................................................163 7.2.11 窗帘材质.................................................................1635 L N9 i# z4 d+ N2 _ 7.3 布置灯光....................................................................164 7.3.1 设置渲染参数..............................................................1651 f* O( }9 q" \0 o) M$ e0 _, q 7.3.2 布置阳光和天空光..........................................................166 7.3.3 布置室内灯光..............................................................169 7.4 渲染成图....................................................................173 7.5 后期处理....................................................................174 第8 章 豪华卧室空间表现.........................................................1785 i0 F" g- M/ M3 }' n4 E 8.1 初调材质....................................................................179" A5 G, C3 n/ h; s 8.2 优化渲染参数与布置灯光......................................................1849 V/ O" s: T% E; E! i. R8 B 8.2.1 布置天光..................................................................184 8.2.2 布置室内人工光............................................................186# X+ k; z4 }/ b& K 8.3 细调材质....................................................................191 8.3.1 木地板材质................................................................191 8.3.2 衣柜材质..................................................................191 k) O1 \ H7 _( u 8.3.3 床头柜材质................................................................192 8.3.4 石柱材质..................................................................1925 U0 g! I) t' m, F% d 8.3.5 石板材质..................................................................192 8.3.6 金属材质..................................................................193 8.3.7 布料材质..................................................................193 w6 P b; Y8 Q 8.3.8 窗纱和窗帘材质............................................................194/ @) m& \1 g! |& q 8.3.9 水晶材质..................................................................194 8.3.10 灯罩材质.................................................................1958 K/ |; z; ^- Z! m 8.3.11 床单材质.................................................................195) q. h% P2 P0 w& n" G, i 8.4 后期处理....................................................................1965 A# F5 Z! U; J/ _* J 第9 章 过廊餐厅空间表现.........................................................199 9.1 案例分析....................................................................200+ H2 O. y4 x* M5 D' h7 p, _7 a( q 9.2 初调材质....................................................................200 9.3 优化渲染设置................................................................204" F) }* J' j0 }& @$ `" x 9.4 设置灯光....................................................................205 9.4.1 设置天光..................................................................205 9.4.2 设置人工光源..............................................................208 c, p1 t9 ?7 o9 G2 j 9.5 调节材质....................................................................213, m9 s8 g' t& t! h0 W- A 9.5.1 墙面材质..................................................................2139 ~* A% A: b+ O& ] 9.5.2 玻璃材质..................................................................214 9.5.3 布料材质..................................................................216 9.5.4 白瓷盘材质................................................................218 9.5.5 金属材质..................................................................218 9.5.6 油漆材质..................................................................219 9.5.7 大理石材质................................................................221 9.5.8 水面材质..................................................................221 9.5.9 蜡烛材质..................................................................222 9.6 渲染输出....................................................................223, [0 L& D* H& h9 w2 i, V 第10 章 西餐厅空间表现..........................................................225 10.1 案例分析...................................................................226 10.2 初调材质...................................................................226 10.3 优化渲染设置...............................................................2282 j7 G& J3 i6 s. t6 j4 k 10.4 设置灯光...................................................................229 10.4.1 设置天光.................................................................230 10.4.2 设置人工光源.............................................................231 10.5 细调材质...................................................................2408 f9 a& h. K% Z4 b* h4 _ 10.5.1 装饰吊顶材质.............................................................240 10.5.2 布料材质.................................................................241 10.5.3 玻璃材质.................................................................242 10.5.4 金属材质.................................................................243: z( _3 y) i+ j- z- { 10.5.5 木纹材质.................................................................243 10.5.6 皮革材质.................................................................244 10.5.7 油漆材质.................................................................245, f% Q4 C4 b/ [) J 10.5.8 马赛克材质...............................................................246 10.6 渲染输出...................................................................246 第11 章 宾馆走道空间表现........................................................248 11.1 场景分析与初调材质.........................................................249 11.2 优化渲染参数...............................................................250: p" n, N' h, e 11.3 设置灯光...................................................................252 11.3.1 布置室外灯光.............................................................252 11.3.2 布置室内灯光.............................................................256 11.3.3 渲染光子图...............................................................260( F1 R0 x( `/ Q9 J% j3 Y% \3 c5 [ 11.4 调节材质...................................................................261 D: W" x+ u, E& R. ? 11.5 后期处理...................................................................265 第12 章 酒店客房空间表现........................................................2700 J) H4 _( h# r 12.1 案例分析...................................................................2719 @# {5 \7 S" l1 Q( I- @- d# ^ 12.2 初调材质...................................................................271) c k: S; F) \: a, [) {0 M 12.3 优化渲染设置...............................................................2712 z6 ]$ j6 Z5 z1 {0 q9 F 12.4 设置灯光...................................................................273 12.4.1 设置台灯.................................................................273. n9 {! c z8 Q0 Y/ q% q 12.4.2 设置射灯.................................................................2742 m }3 J1 [( \+ s/ W" j 12.4.3 设置天光.................................................................275 12.4.4 设置灯带.................................................................277: T- }& U& M) z) g 12.4.5 设置壁灯.................................................................278/ x/ H; V' d+ K 12.5 调节材质...................................................................280 12.5.1 皮革材质.................................................................2801 [: l; O! X* i3 m6 d 12.5.2 玻璃材质.................................................................281 12.5.3 壁纸材质.................................................................281 12.6 渲染输出...................................................................282 第13 章 集团公司会议室空间表现..................................................284 13.1 场景分析与参数优化.........................................................2855 W" W2 G! V5 i. D/ w( O S. m s. D 13.2 布置灯光...................................................................287, f" B7 V( [; v% ?- X; ~4 M9 ^ 13.2.1 布置天光.................................................................2875 z; q7 L2 k$ h/ ^ 13.2.2 布置人工光...............................................................290: D6 d4 t7 z' C( A# b 13.3 调节材质...................................................................294& n2 q& j6 _% c8 h8 E 13.3.1 皮纹材质.................................................................294/ c6 _4 a& ]7 Y4 j) V' z5 s i 13.3.2 会议桌和投影屏幕材质.....................................................2961 Q: y" h/ b1 O% t- l 13.3.3 玻璃墙材质...............................................................296 13.4 设置渲染参数并渲染成图.....................................................299 13.5 Photoshop后期处理..........................................................300. D. |: ?6 K; | 第14 章 美术展馆空间表现........................................................303 14.1 案例分析...................................................................304 u8 H5 t3 S7 ~& p# t 14.2 初调材质...................................................................304 14.3 优化渲染设置...............................................................306 14.4 设置灯光...................................................................308 14.4.1 设置发光灯片的参数.......................................................308 14.4.2 设置射灯.................................................................309# I1 m$ o, b+ o' z+ l 14.4.3 设置灯带.................................................................3127 c! i0 L5 A% t5 h3 ~0 K 14.5 调节材质...................................................................3158 Y% |) [) F8 s9 e 14.5.1 地面材质.................................................................315 14.5.2 墙面材质.................................................................317" [( a, W! Y1 F, v: Y# L 14.5.3 金属材质.................................................................318: c, h' n) v/ | 14.5.4 木纹材质.................................................................318 14.6 渲染输出...................................................................319. V$ q5 A9 P- J# p' @ |
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