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Architects: 07BEACH6 o& f6 I% H) J Location: Ho Chi Minh City, Vietnam8 S2 b3 C( {/ P4 A- \+ [( `" o6 n Designer: Joe Chikamori! o! d! H5 u1 ^& i' y Area: 154.7 m2 Photographs: Hiroyuki Oki ' z' y( `# ~+ q# e0 ~ Before starting design, the client specifically did not request so much. A few requests were, simply they wanted a cool restaurant above all, and its basis was a specialty restaurant of Tonkotsu Ramen (Pork soup Noodle) It is not easy to make just vaguely cool restaurant. So firstly I started to look for a main direction of the design. And I conceived of using Tonkotsu Ramen (Pork soup noodle) itself, which is popular but is far from the image of cool, as interior motifs to establish a cool Ramen restaurant. In particular, Made a mosaic wall as a signboard, Put fences like undulating noodle to cover stair, Ramen bowl shaped seats, The pendant lights made of wire inspired by Tonkotsu ramen noodle. (It is called Harigane (wire) because of its hardness), Spray with white on the wall, which expressed pork soup. Etc. Set with Ramen itself as motif through the restaurant, And yet I aimed to design innovative Ramen restaurant and a space where people can feel comfortable." X$ P, X) ^ o0 t" E1 d, u Through a feedback from the client after submitted the design, I got another request that they prefer to use space more flexible. They would like to use seats for various customers from small to big groups. Ramen bowl shaped seats which may limit the usage, so that reduced the seat number. Therefore I figured out flexible rounded shape sofas, which can be combined in various layouts. : d1 K- c+ v; {' k2 O8 ^ 在开始之前的设计,客户特别不要求那么多。一些请求,只是他们想要一个很酷的餐厅最重要的是,和它的基础是一个特色餐厅的豚骨拉面(猪肉汤的面条)是不容易只是模模糊糊地酷餐厅。首先,我开始寻找一个主要的方向设计。和我设想利用豚骨拉面(猪肉汤的面条)本身很受欢迎,但远非酷的形象,作为室内主题建立一个酷restaura拉面。 集拉面本身作为主题通过餐厅,但我的目标是设计创新的拉面餐厅和一个空间,人们可以感到舒适。 8 Q* b4 ~, o$ W+ K 通过反馈从客户端提交了设计后,我还有一个请求,他们更喜欢使用空间更灵活。他们想使用各种客户的座位从小型到大型团体。拉面碗形座椅这可能限制使用,这样减少了座位号。所以我想出了灵活的圆形的沙发,ca, ^1 n1 G+ o. k8 `+ G 0 ?1 k& U* r, }5 _4 U: p + J( e, a8 F" m- r9 }2 H- H ) T/ p8 P' M6 ~ g) f3 v 9 n5 A6 c5 s& a6 s( H* x # }) J' Y1 x/ v% d1 e1 } S " E% J1 N8 G6 W . P+ y$ e: G& i2 m9 E * @7 N- d4 N4 L; l% p r* F; m0 t* i; O& X : ?' ~ {+ i6 r" K3 M 7 _3 g+ z& I9 | % ?" k, _5 B0 f& Q / d6 C/ \1 K6 h# N8 @7 P 4 u& Q. G% f( s& y# j+ R Q 5 {7 Y) u e b- r* ]# b: d( G $ w8 V5 U6 D# ]3 B7 b9 f: H / z" E# Z& l9 e5 ^7 F: J 4 k/ `, A8 ^# J1 @2 @2 @) S 4 i7 |9 R/ \( ]# j* Y + O' g o% Q& k* C % Q D0 V/ J* a* k % V5 ~- @+ }( t5 I, k5 R" y n 1 H6 U0 l P) b/ ~ ' T/ y! C8 H+ n% s* i ' P3 h Y7 u1 \- c( U6 Z6 Y" C# @ 5 d% h3 J: _5 e8 @2 ]! w+ F 9 ?8 j# s6 p0 I- ~/ X, |1 w5 | 8 l, L8 T) W+ @! E9 l; s " s' A- K p1 L; W+ a C6 j1 Y+ f; a. R2 [ % [) z. L6 y) [8 ` u, a/ ^$ I $ Z9 I0 |( \* ]0 a1 u5 j2 n1 N , M7 }. X# w: J& {2 L- x( V- R $ ^# d- b9 K; `. M3 W ! i% y& _9 F' I* M0 j$ B) h( q ( Q7 \+ A3 D4 T0 W 3 K9 c: a5 w2 w4 q) S* f1 c$ @: H9 d 2 N3 o7 q+ W |8 i J ' K( K6 p: u4 c8 ^. ] E ( E5 n7 b% d8 a; g- p3 D( P $ v9 k! v1 p0 \ * N7 Y5 x8 t3 G# l3 L- ^. ?) ? |
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very good